That is one negative positive review: http://t.co/I43PcPY
Positive yet unquotable review: http://t.co/Z8yDNu6
See? http://t.co/igeqET4
Last year I joked my baby would be "a female green-eyed redhead with a propensity to sneeze in sunlight and a tail like a fish." So far 4/5.
Antipodean Machines
Machine Man is out in Australia and New Zealand today, because of the time
difference. We’re eight days and fourteen hours ahead of the US. I don’t know
if you knew that. It’s because the Southern Hemisphere rotates slightly faster
than the Northern Hemisphere. That’s why the seasons are different, too.
Also, most of what you think is an accent is actually just the
Doppler effect.
Anyway, the point is that residents of Australia and New Zealand should now be visiting bookstores and moving my book to more prominent positions. Bookstore owners say they hate that, but they’re just crotchety because of the whole collapsing industry thing. They’ll thank you when that eye-catching cover brings in more foot traffic.
Northern Hemispherians have to wait until next week. You know my Australian publisher did this specifically to annoy you. Not only that, but they’re running a promotion whereby antipodes can get a free e-copy with every print edition. I’m not sure how that helps anyone, come to think of it. I guess if you like the look and feel of print books but the convenience of digital, it’s good. Or if you want to test which medium you prefer by reading the exact same book once on each. If that describes you, details are craftily hidden on this page.
Really great review of "Machine Man" in my hometown newspaper (The Sunday Age) today, their review of the week! Thank you!
"Machine Man" allegedly appearing on bookstore shelves in Australia / New Zealand. If you spot it, send me a pic!
My desk this morning. I cleaned it just last week. http://t.co/NhYJXbX
The novel I'm reading is so meta, the last chapter will be the author walking into my bedroom and saying, "You're reading my novel."
Best write-up of the "Syrup" movie I've seen so far! Sweet, sweet pics. http://t.co/PbO14IQ
"Steam Arm": A Ballad (1834-35). http://t.co/DV8642n
It's the final day of the Syrup film shoot. http://t.co/6DrKAth
Dogs and Smurfs
This has been a great year for male writers, with women shunted
aside for major prizes and all-new hand-wringing about why it is so.
Because, I don’t know if you’ve noticed, but male writers get taken
more seriously. Also, stories about men, even if written by women,
are considered mainstream, while stories about women are “women’s fiction.”
This despite the fact that women read more than men, and write
more, and are over-represented generally throughout publishing.
As the father of two girls, one aged five and one ten months, I know why. It’s because of dogs and Smurfs. I can’t understand why no-one else realizes this. I see these knotted-brow articles and the writers seem truly perplexed. Dogs and Smurfs: that’s the answer.
Let me walk you through it. We’ll start with dogs. I have written about this before, but to save you the click: people assume dogs are male. Listen out for it: you will find it’s true. To short-cut the process, visit the zoo, because when I say “dogs,” I really mean, “all animals except maybe cats.” The air of a zoo teems with “he.” I have stood in front of baboons with teats like missile launchers and heard adults exclaim to their children, “Look at him!” Once I saw an unsuspecting monkey taken from behind and there was a surprised silence from the crowd and then someone made a joke about sodomy. People assume animals are male. If you haven’t already noticed this, it’s only because it’s so pervasive. We also assume people are male, unless they’re doing something particularly feminine; you’ll usually say “him” about an unseen car driver, for example. But it’s ubiquitous in regard to animals.
Now, kids like animals. Kids really fucking like animals. Kids are little animal stalkers, fascinated by absolutely anything an animal does. They read books about animals. I just went through my daughter’s bookshelves, and they all have animals on the cover. Animals everywhere. And because publishing is terribly progressive, and because Jen and I look out for it, a lot of those animals are girls. But still: a ton of boys. Because of the assumption.
Here’s an example: a truly great kids’ book is Lost and Found by Oliver Jeffers. I love this story, but on page 22, after being called “it” three times, an otherwise sexless penguin twice becomes “he.” This would never, ever happen the other way around. The only reason a penguin can abruptly become male in an acclaimed children’s book without anybody noticing is because we had already assumed it was.
Then you’ve got Smurf books. Not actual Smurfs. I mean stories where there are five major characters, and one is brave and one is smart and one is grumpy and one keeps rats for pets and one is a girl. Smurfs, right? Because there was Handy Smurf and Chef Smurf and Dopey Smurf and Painter Smurf and ninety-four other male Smurfs and Smurfette. Smurfette’s unique personality trait was femaleness. That was the thing she did better than anyone else. Be a girl.
Smurf books are not as common as they used to be, but Smurf stories are, oddly, everywhere on the screen. Pixar makes practically nothing else. I am so disappointed by this, because they make almost every kids’ film worth watching. WALL-E is good. I will grant them WALL-E, because Eve is so awesome. But otherwise: lots of Smurfs.
Male is default. That’s what you learn from a world of boy dogs and Smurf stories. My daughter has no problem with this. She reads these books the way they were intended: not about boys, exactly, but about people who happen to be boys. After years of such books, my daughter can happily identify with these characters.
And this is great. It’s the reason she will grow into a woman who can happily read a novel about men, or watch a movie in which men do all the most interesting things, without feeling like she can’t relate. She will process these stories as being primarily not about males but about human beings.
Except it’s not happening the other way. The five-year-old boy who lives up the street from me does not have a shelf groaning with stories about girl animals. Because you have to seek those books out, and as the parent of a boy, why would you? There are so many great books about boys to which he can relate directly. Smurf stories must make perfect sense to him: all the characters with this one weird personality trait to distinguish them, like being super brave or smart or frightened or a girl.
I have been told that this is a good thing for girls. “That makes girls more special,” said this person, who I wanted to punch in the face. That’s the problem. Being female should not be special. It should be normal. It is normal, in the real world. There are all kinds of girls. There are all kinds of women. You just wouldn’t think so, if you only paid attention to dogs and Smurfs.
Is it the positive role model thing? Because I don’t want only positive female role models. I want the spectrum. Angry girls, happy girls, mean girls. Lazy girls. Girls who lie and girls who hit people and do the wrong thing sometimes. I’m pretty sure my daughters can figure out for themselves which personality aspects they should emulate, if only they see the diversity.
It’s not like this is hard. Dogs and Smurfs: we’re not talking about searing journeys to the depths of the soul. An elephant whose primary story purpose is to steal some berries does not have to be male. Not every time. Characters can be girls just because they happen to be girls.
P.S. Don’t talk to me about Sassette. Sassette was like the three millionth Smurf invented. You get no credit for that.
Magnets: How do they get into my possession?
Machine Man the novel is out August 9, unless you live in one
of those countries that hates me, like the UK. Seriously, UK. What have I
ever done to you? Aside from those
Bedford blogs. Those were totally
justified. Bedford is horrible.
Anyway,
the point is: look at me with this actual book! The publishers
have started printing. A couple days ago I was asked
whether I’d miss the sensation of holding a physical copy of my book,
since I allegedly believe ebooks are destined to take over from print.
And as much as I wanted to say no, because, hey, bring on the electrons, the answer
was yes. I do find it incredibly rewarding to hold my book, made real. I mean made physical.
Ebooks are real. I never said otherwise. But a thing, a touchable, material
thing, does validate the book’s existence in a straightforward and
undeniable way. When I
dreamed of being a published writer, I was mostly imagining a shelf full
of physical objects. Those objects may not be important, in the long run. They may
be the medium and nothing more. But boy, they are something.
Some promotional stuff is brewing. First, if you’re in Australia, Scribe is doing a very cool thing whereby you can buy the print version and get a Booki.sh e-copy for free. See here under “ebook bundle”. If you’re not in Australia, and can get to San Diego for Comic-Con 2011, Vintage will be giving away Advanced Reader Copies* and more importantly AWESOME MAGNETS. Look at these things. You can mix and match human and artificial parts. You know you want that more than life itself. That isn’t just me.
If
you can’t get to San Diego, you can win magnets and possibly something else
via a competition I haven’t invented yet. The important thing is I promise
there will
be access to magnets. Stay tuned. And suggest some competition ideas. Because
seriously, I need to think of something.
Finally: US book tour. There isn’t one. Or at least, not a physical one. This is mainly because flying an author thousands of miles to sell three dozen copies of a book is not very cost-effective. Especially when that author tends to order a lot of room service and make long international phone calls. But also because I have an idea for a virtual book tour, which is cheaper and appropriate for the novel and solves the problem of people complaining I’m visiting every city in the world except their one. Details to come on that, too. I just wanted to let you know early so you’re not hanging around postponing your vacation in case I come to Tallahassee that precise weekend. Go ahead. Book the flight. You deserve it.
(* Advanced Reader Copies are early versions given out to reviewers and bloggers and, for some reason, Comic-Con 2011 attendees. Sometimes these wind up on ebay and people like you wonder if they should buy them. I think they make neat collectibles, but they’re inferior to the final book in three ways: the text is uncorrected, meaning it contains typos and things I changed at the last minute, the cover and front/back matter is different, and the production quality of the book itself is lower. Also I don’t get paid for ARCs. So that’s four ways.)
Little "Inside Film" piece on Machine Man. http://t.co/aWBT3ek
Kate Nash on the set of "Syrup" http://t.co/jldsb5O
I’m a Star
On Tuesday I had my Syrup cameo. I was not as nervous about this as I’d expected,
until it came time to do it, at which point I was seized with terror. This was because
everyone around me seemed to know exactly what they were doing and be
very good at doing it, while I’m a writer who can’t act. I knew that whenever
something went wrong during a shot, people would shout out, “RESET, RESET,”
or “CUT” or “MAX BARRY GODDAMMIT HOW HARD IS IT TO TAKE ONE STEP
TO YOUR RIGHT” (probably), and did not want to waste everyone’s time.
They were doing such an incredible job; why was I making it harder? My very
presence was an insult, implying that anyone could do this. If an actor
wanted to insert a few sentences into a novel I was writing, how would I feel about that?
Like no freaking way was that happening, that’s how.
So I felt indulgent. But of course every person I spoke to was completely encouraging and happy for me, so it may have been all in my head. Anyway, I completely nailed the “neurotic” part of actor right off the bat.
I was a waiter. In an earlier blog I said I was going to be an exec in a strip club—which I really should have mentioned to my wife before the day I was leaving, I discovered—but the schedule changed so instead I was a waiter. I had a line but convinced the director to drop it, because I lost confidence in being able to make recognizable sounds out of my talking hole. Instead I mostly just stood next to Amber Heard and gave her things while she delivered a monologue about feminism in the workplace. This was a good match of roles to talents. I was like the caddy of a great golfer, if the golfer was world-class and beautiful and at one point wearing a corset, and the caddy had never held a club before and was concentrating on not swallowing his own tongue.
Here’s me paying intent attention to the director, Aram:
Beside me is Shane, a very cool guy who I talked to a lot on set; he’s a producer who in this moment is standing in for Amber. I must be standing on a box or something because no way is Shane this short. That’s some kind of film trickery. The ear belongs to Scott, whose job is to herd people into the right positions at the right time by bellowing instructions. He is awesome. Everyone is awesome. Julio Macat, the cinematographer, who I wish I got a pic with but never did, is flat-out brilliant and a genuinely lovely human being. Every day I was on set I learned more about what these people do and how good they are at doing it.
A lot of exterior shots were filmed that day and next, so the internet filled with
paparazzi pics. I think I am supposed to be disappointed at, you know,
these vultures suckling at the teat of celebrity, but come on, HOW COOL DO THESE LOOK.
No-one felt a need to take a paparazzi shots of me, for some reason. I had to do it myself. So here is me in my trailer on the day of my cameo. (I don’t know why I got a trailer.)
Then I flew home to Melbourne, Australia. Which was heartbreaking, because I want to live on that film set for the rest of my life, but also wonderful, because I got to hold my girls (three new teeth for Matilda. Three!) and sleep for longer than five hours and get back to writing things.
This trip was amongst the most hands-down incredible things I’ve ever experienced. It was astonishing on many levels: hearing actors delivering lines I wrote, seeing characters and locations I’d imagined coming to life, being embraced so warmly by the cast and crew, watching how films actually get made, surviving a cameo. I’m so grateful to every person involved. And I know nothing will ever beat it: that even if I’m fortunate enough to have more work produced, it won’t be like this first time, where reality smashed through the ceiling of my expectations and kept heading up. I went over there fully prepared to be disappointed, at least in some respects. And I was wrong. This is going to be a good movie.