Max Barry is the author of seven novels and the creator of the popular online game NationStates. He also once found a sock full of pennies. He lives in Melbourne, Australia, with his wife and two daughters. Sometimes he coaches kids' netball.

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Fri 09
Feb
2007

My Brilliant Publicity Schedule

Company It’s a big couple of months for my books. Here’s what they’re up to:

  • USA & Canada

    The paperback is out March 13, and I tour two weeks later. The early word is that I’m headed to Los Angeles, Denver, Milwaukee, Madison, Chicago, Austin, Phoenix, and San Francisco. So the result of that polite discussion seems to be that Phoenix beat out Dallas, Milwaukee supplanted Boston, and LA and Madison combined to defeat Ann Arbor. I’m not saying that necessarily reflects on the inherent worth of those places. But you could certainly read it that way.

    The dates and places should be confirmed shortly, and I’ll post ‘em here.

    Also in the US & Canada, an audio version of Syrup has been released. I wonder if that’s some kind of record, a publisher coming out with an audio version nearly eight years after the book. No, probably not. In fact it wouldn’t even be close. I don’t know why I brought that up.

  • Australia & New Zealand

    I’ve spent most of the last year moaning about my publishing troubles in Australia. Because it really grates on me that in my home country I am near-completely unknown, while in the US I am near-completely unknown, but not quite so much. This has nothing to do with wanting recognition for my artistic achievements, you understand. It’s about impressing chicks. But now I have a publisher, Scribe, and they’ve been crazy busy organizing publicity ahead of the March 5th publication. Seriously, you want your publisher to be enthusiastic, but this is almost beyond that. Just today, they’ve sent me… let me check… eleven emails. I have conversations with them that go like this:

    Scribe: “Wow. Company. It’s such a great book.”
    Me: “Thanks.”
    Scribe: “I mean, seriously. I own ten copies. Not for publicity purposes. For myself.”
    Me: “Oh, that’s… keen.”
    Scribe: “Sometimes at night, I take off all my clothes and rub myself with the pages.”

    Well it wouldn’t surprise me. Anyway, the result is I’m doing a lot of Aussie media and book readings and festivals. Here’s what I have details for so far: the Como Writers Festival in Melbourne on the 17th and 18th of February, a Sydney book reading hosted by supercool comedian Wil Anderson on Friday March 16, the Sydney Writers Festival in May, and the Melbourne Writers Festival in August.

  • The Netherlands

    The Dutch Company paperback is out in March, and the publisher has produced this incredibly slick Zephyr Holdings website. It’s got desktop wallpapers and email-your-friends cartoons and everything. I have no idea what they’re about, because they’re in Dutch. But I bet they’re frickin’ hilarious.

    Unfortunately I suspect that this means Company needs to sell about a million copies or Uniboek will collapse under the weight of its outlandish web design expenditure. But fingers crossed.

    They also seem to be re-publishing Jennifer Government under the title Logoland, and synchronizing the cover with Company’s. I love synchronized covers. They make me feel collectible.

  • United Kingdom

    Still bugger all. Sorry.

Tue 30
Jan
2007

Sloth: the new discipline

Writing For 2007 I have resolved to make every single blog about writing. Okay, no, not really. That would be boring as all get-out. But I am still a little giddy from my staggeringly disaster-free latest effort, so I might do a few more than usual. I mean, it’s not like anyone’s forced to read them, right? If you’re here for the cutesy Finlay pics, you can skip on by, can’t you? Right. And where possible I will try to relate them to non-writing areas, in order to avoid disappearing up my own butt.

So. To discipline. I have come to suspect that discipline is a myth. These elite athletes who train at four in the morning until their toes bleed; the child violinists who stay locked in their rooms practicing while all their friends are out doing fun stuff like drugs and unprotected sex; we’re supposed to think they’re disciplined. We’re meant to shake our heads in admiration and say, “Wow, she really earned it.” But I reckon what they’ve actually been doing is having a good time and calling it work.

I’ve reached this conclusion because I have no discipline, and I assume my character flaws are shared by the rest of the world. (The good parts are just me.) I work from home. There’s nobody stopping me spending my days browsing girls-with-glasses-having-mudfights.com instead of writing novels. The fact that I do manage to squeeze out a new book now and again is often interpreted as evidence that I must have great discipline. But I write books because I love it. That’s not discipline, is it? Isn’t that just being fortunate enough to get paid for recreation?

When I first decided to give full-time writing a shot—before I was published, by the way, which should tell you how very stupid I was—I was extremely disciplined. I had daily word targets. I graphed my progress. If I fell behind, I would berate myself about wasting precious time. And I did write many words. But I didn’t enjoy it much, and my output fell off, and the book I was writing turned out to be a steaming pile of crap, which I never finished.

I bet the same thing happens if you’re trying to become a professional violinist, or swimmer, or even something more mundane like trying to get into shape. Unless you enjoy the process and take pleasure from practicing, you give up.

Hmm. When I started this blog, I thought it was going to be kind of inspirational. You know, about how there’s not that much separating us normal people from world-class achievers. But now I think about it, you can also read it as a depressing indictment on how people are pathetic they can’t achieve anything unless they get lots of little rewards along the way.

Well, either way.

Note: I didn’t really mean to skip a whole month of blogs there. Sorry about that. I did get a ton of writing done, though, and played with my daughter. So, really, can you complain? I mean, and still sleep at night?

Thu 21
Dec
2006

Annual leave

Max Here I was all about to start a blog post called “That’s 2006, then,” when I realized I’d already done that in 2004. Except it was called “That’s 2004, then.” Because it was 2004 at the time. Not 2006.

One of the problems with writing all the time is I tend to unwittingly repeat myself. For example, the other day I received an e-mail that chilled my spine:

Please stop using the line “he’d never seen so many expensive pairs of shoes in one place.” You have used it in all three novels, and it has about outlived its utility.

Could I really be unintentionally inserting the same line into all my books? That would be pretty embarrassing. And probably sign of some kind of encroaching mental defect. Some kind of new encroaching mental defect, I mean. So I went searching through my manuscripts. Sure enough I found this in Jennifer Government:

John had never been surrounded by so many good pairs of shoes.

… and this in Company:

It turns out to be a bar so stylish that it has dispensed with anything as obvious as trying to look like a bar, and at at seven o’clock on a Friday evening it is full of deep orange sunshine and more pairs of expensive shoes than Jones has ever seen in one place.

But I couldn’t find anything similar in Syrup, thank God. That’s only two out of three! I reckon that lets me off the hook. And what about all the lines that aren’t the same? Nobody writes in about those!

Anyway, that’s it from me for the year. Thanks so much to all you guys who visit my site, and read my books, and validate my life. If it wasn’t for you, I’d be broke, bitter, and spending most nights fighting homeless guys for loose change. Well, I do that anyway, but it’s a lifestyle choice.

Fri 15
Dec
2006

My Life as a Prick (or: Forgive Me, Elke)

Max Apparently some people go through life without regret. They make mistakes, but chalk these up to experience and move on. I would like to meet one of those people and shake them hard.

I’m the other type: one of those people who breaks into a cold sweat at one a.m. because I just remembered the time in 1989 when I asked this girl out and she thought I was joking, so I tried to play along. In fact, now I think about it, that happened a couple of times. I probably needed to rework my approach.

But the thing that really haunts me is that one particular person has been present at nearly all of my greatest humiliations. This is Elke, who I lived next door to when we were both babies. There are lots of photos of us playing naked in the splash pool; our parents joked that one day we’d get married; you know the deal. Well, Elke grew up to be beautiful, smart, generous, and kind to animals. And I’m quite sure she thinks I’m the biggest asshole on the planet, because every time she’s seen me in the last twenty years, I’ve been rude, drunk, committing a crime, insulting her brother, or some combination of the above.

It’s eerie. I don’t think she’s inspiring me to these depths. She just always happens to be there, staring at me in shock. I swear, if I took off my pants, walked down the street, beat up a nun, and mugged a homeless person, I would turn around and there would be Elke. It’s like my life is a sitcom and she’s my running gag. Only since I’m in it, it’s not that funny.

I understand that we all do dumb things now and again. What I don’t get is why all of mine happen in front of this one person, whom I otherwise never see. It’s a little disturbing to know there’s someone out there with a perfectly rational basis for thinking I’m a scumbag.

I haven’t seen Elke for many years, which at least means that I haven’t done anything seriously embarrassing since then. But one day I hope to run into her again, so I can say, “Look, I know what you must think about me. And I won’t try to change your mind. I just want to say I’m really sorry.” Then I would probably barf on her dog.

Thu 07
Dec
2006

Allevia: So Sue Me

What Max Reckons The other day two people threatened to sue me. Admittedly, they were employees of the same company. But still: two in 24 hours is a new record for me. It’s also the first time I’ve been threatened by a company, not an individual. But, like all the others, it was related to NationStates, the nation simulation web game I wrote.

To whom it may concern:

There is a “counrty” on your webite called “Allevia”. Allevia is a TRADEMARKED name and may not be used on your website. You will be receiving registered mail shortly from our legal councel here in Switzerland. We advise that you remove the trademarked name from your site without delay.

Sincerely,

N. Jackson

At first I thought this was a stunt by a NationStates player, trying to get the Allevia nation into trouble—because players can be devious like that. But there is a real Swiss company called Allevia, so I wrote to them to ask if this was for real.

Before long I had a reply from Pierre Mainil-Varlet, MD, PhD, MBA, Allevia’s Chief Operating Officer. Pierre confirmed it was genuine, and if I didn’t scrub Allevia from NationStates, “a legal action will be started.”

Now I was confused. It’s not like Allevia is such a bad nation. It’s a democracy, has excellent civil rights, low unemployment, and its national animal was the Tufted Penguin. Those are some cool birds. Sure, it’s a corporate bordello, but whose country isn’t, these days? So I had trouble seeing what this company’s problem was—other than the fact that Google’s “allevia” results listed someone who wasn’t them at number five.

I wrote to Pierre expressing my doubts:

Could you please explain why you believe the use of the Allevia name by one of our players is illegal? To my eye it just looks like coincidence—nothing about the account suggests the player is referring to (or even aware of) your company. Should nationstates.net be in breach of the law, then by all means we will comply, but I’m a little puzzled about what law you think is being broken here.

Pierre fired back a very interesting reply. Before I reveal that, though, here is a quiz. Imagine you discover an unrelated use of your company’s name in an obscure online computer game. There’s nothing offensive or damaging about it, but still, it bugs you that the internet isn’t reserved solely for your marketing messages. What do you do?

Your options:

  1. Ignore it, because it has nothing to do with you, and your time is better spent doing whatever the hell it is that your company is supposed to do.
  2. Write a polite letter explaining the situation, keeping in mind that in many parts of the world, including all the relevant ones, threatening legal action over a trademark without a genuine basis is illegal and exposes your company to counter-action.
  3. Write to an author with a history of irritability toward corporations that try to control language, claiming to have ultimate control over use of the word “in all fields of operation,” explicitly including computer games (a claim easily contradicted by your own country’s trademark registry), and repeatedly threaten him with lawsuits.

If you selected #3, you could be Allevia’s Chief Operating Officer.

Pierre agreed with me that it was “a total coincidence and not bad will from the player.” And he further acknowledged that not only is “allevia” a common Italian word, but it’s used by Estee Lauder to refer to a fragrance. However, he claimed:

[We] own all other field of application including computer games and softawre software. The situation would be the same if you would use the name coca cola.. You would be place into difficulties

He also assured me again that this was a serious matter and Allevia “will be consequent in our action,” which I took to mean something bad.

Around now I began to wonder if our player should sue Pierre. After all, the player was running a respectable nation; he wouldn’t want to be confused with a Swiss-based manufacturer of empty legal threats. I was also tickled by Pierre’s use of the Coca-Cola example. I mean, of all the companies to choose from, and all the people to try it on: he chooses Coke, and the guy who wrote a novel set in that company and had it published in ten countries.

I was a little tempted to fake up a letter from Coke, saying it had come to their attention that Pierre had used their trademarked name in an email without permission, and now they were going to sue. Because Pierre didn’t seem to understand that trademark law prohibits people from passing themselves off as you—not from talking about you, or using the same coincidental series of letters in unrelated contexts.

But I didn’t do that. Pierre CCed his last email to a bunch of people inside Allevia, presumably to impress upon them how decisively he was taking care of business. Following that, I couldn’t get him to write back to me, no matter how sneakily I encouraged him to say something else outlandish. So I’m guessing someone on that CC list knocked on his office door and had a gentle conversation with him about what the hell he was doing.

Which makes it a happy ending, in my book. The great nation of Allevia survives, its intelligent, well-educated citizens free to lead their lives unmolested in their beautiful, progressive, somewhat economically fragile nation. And, somewhere in Switzerland, a Chief Operating Officer grows a little sadder, but perhaps also a little wiser.

Thu 30
Nov
2006

Exceptional

Writing Okay, look, I’m trying to keep low-key about this. I don’t want to make it into a whole deal. But I just finished the first draft of my new book, and OH MY GOD I LOVE IT SO MUCH.

I’ve been keeping my mouth shut about this, because from experience I know the moment I say, “This book I’m working on is going quite well,” that’s the first moment of a week of black, empty wordlessness. You just can’t tempt the gods like that. So I have been very good. I haven’t said anything to anybody, even though I have desperately wanted to grab someone and yell, “It’s the best book ever! It’s the best book ever!

Now I should confess that I often become overly enamored with my own books while I’m writing them. It’s a good thing, because if I saw them objectively, these staggering, newborn first drafts, I’d probably be so appalled that I wouldn’t be able to keep working on them. Blind love at this point is a prerequisite.

And next, I’m sure I’m going to read this draft and discover the myriad ways in which it’s not as wonderful as I thought. But that’s also a good thing: just as I can’t write if I’m in a critical frame of mind, I can’t edit unless I am. So I need to change modes. I need to give it some tough love.

But before I do, I’m just going to say it: this has been the best writing experience of my life.

I did two things differently this time. First, I had a daily maximum word limit. I probably broke this more times than I honored it, but still, I think it was helpful. It was good to feel a little naughty when I wrote 800 words in a day. And it was good to be able to leave it at 200 words when the scene needed more thought, rather than feeling like I should push on with whatever I had at the time.

The second thing I did differently was refuse to plot. Well, I’ve always done that; this time I actively tried to destroy my own plotting. Whenever I realized I’d figured out what was going to happen next, I changed my mind. My goal was to avoid any kind of cruise mode, where I feel that the story is ticking along nicely and I don’t want to screw anything up, so I just let things play out. This time I deliberately kept messing things up. Sometimes that meant I spent most of my writing time looking out the window trying to figure out what would happen instead. And by the time I got to the ending, all I knew was that it couldn’t possibly be what I’d originally imagined.

I’m sure this helped my characters, because I constantly looked to them for the next step instead of trying to nudge them down my pre-determined path. And although I have a bunch of stuff I need to go back and insert to make the stuff I only thought up later work, I think the plot that grew out of this chaos is actually pretty good.

But most of all: oh man, it was such cool fun. I’ve had the best time.

(Note: I know somebody’s going to ask about timelines, so: at a guess, I’ll be ready to show this to my editor in maybe 6-12 months. If he decides he wants to publish it, then add about 12 months before it would appear on the shelves. I know, I know. Sorry.)

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