I often get asked what’s happening with the Jennifer Government film, because—well, you know, movies are cool. And it’s been about three years since Steven Soderbergh & George Clooney optioned my book, and so far not much has happened. On the one hand this isn’t so surprising, because making a movie is a major logistical challenge: you have to get the right people interested, and all available at the same time, and happy to work with each other, and then you need to pay them all stupid amounts of money. There are plenty of films that took ten or more years to make it to the screen. I really hope mine isn’t one of those, but I’ve held off getting measured for the tuxedo I’ll wear to the premiere.
What’s mainly happened so far, I think—and bear in mind that I am not involved in this process, because no film-maker or studio exec wants an author hanging around, wringing his hands over changes to his masterpiece—is that Section 8 has talked to writers. At first I thought they were actually hiring writers, then not liking what they produced, but I have since discovered they were just having meetings. Lunches, mostly, I believe.
Until now! Writers have been actually hired, and they are, I’m assured, typing words out and everything. They are Louis Mellis and David Scinto, who wrote the extremely cool British film Sexy Beast. (Seriously, it’s great. And Ben Kingsley will give you nightmares. You should see it.)
Obviously the idea of having a bound screenplay I’ll be able to rub my hands over and say, “Ahhh, it’s not as good as the book,” is very exciting. Also exciting is that Section 8 and Warner Bros. have asked to renew the option, to tie up the rights for another two years. This, coincidentally or not, would take us up to the point where Clooney & Soderbergh’s contract with Warner Bros. expires. What does this mean? I don’t know. But the next 24 months should be interesting.