Giant Beach Balls
I’ve been working on a Syrup screenplay for
a while now. Longer than I like to think about, really. Anyway, there’s
a bit I’m using from the book where our hero, Scat, is trying
to come up with a brilliant new idea for a Coke TV ad, and instead
has a bad one:
I have started to wonder about the beach: about variations on a giant inflatable beach ball. I am thinking about this ball rolling through a major American city, with people running and screaming.
It’s the kind of idea that is stupid yet oddly attractive. I have lots of those. So, apparently does Pepsi.
Now come on. That’s Scat’s stupid idea. The only difference is it’s Pepsi instead of Coke, and people having fun instead of being crushed to death. And that change, frankly, was disappointing. I really thought I was about to see some mayhem.
(Thanks to Jake for the heads-up. So to speak.)
The revolution will be televised in low-resolution
One thing that’s always bothered me about sci-fi movies is how bad
everybody’s communications technology is. Well, that and the costumes. Seriously,
if the future is Spandex, I take back what I said about never wanting to
die. But anyway, every brave new vision of the future you see,
the phone system has gone to hell. Alien, Star
Wars, Battlestar Galactica, you name it: people
are flying around, firing laser guns, and talking through intercoms that
make them sound like Stephen Hawking gargling. Even a simple video link
spits and fuzzes as if they’re tuning it through a coathanger. Will the future
really be filled with technological marvels that enhance every
area of our lives but this?
Now I realize: yes. We’re already on the way. I used to listen to music on CD, watch TV on a television, take photos with a camera, and talk to people on a phone with a cord. Now I have internet radio, MP3s, YouTube, VoIP and a cellphone. Even my home landline is a wireless thing that makes people sound as if they’re calling from inside an empty beer can. I don’t yet watch TV on my cellphone, but my phone company wants me to, even though the screen is one inch wide. I do take photos and videos on it, and that’s what I’ll have to look back on: a bunch of 8x6 pixel images and footage so jerky everyone seems to be having a seizure.
You know where this started? Vinyl. Oh yes, we laughed, when the purists said CDs didn’t sound as good. Well, maybe you didn’t, you weren’t born. But ask your Dad. Those long-haired freaks were right.
Free Money for Everyone
I was going to let this slide, because
calls
for schools to chase the corporate dollar are
nothing
new.
And I like to reserve my outrage for really odious new forms of
marketing. Not just
whacking ads on anything that moves,
but the truly insidious slime you don’t really notice until it’s
smiling you in the face. Like the
“charm
offensive” aimed at making the French more polite to tourists:
now that
gives me the heebie-jeebies. Polite French people? That’s just wrong.
I like my French arrogant. If I ever step off a French airplane and
hear, “Missing you already!,” I will take that as a sign of the
Apocalypse.
But to schools. This particular push for big business to step in to educate young minds comes from Professor Brian Caldwell, who calls the public funding model “outdated thinking”:
He says partnerships with business could be valuable for both parties, for example in areas of science and technology.
“With a company like Rolls Royce you’re getting not only cash support but you’re also getting the opportunity of having top engineers work side by side with your teachers and your students and who also can provide marvellous work experience so yes there is self interest but it’s a self interest that matches the public interest,” he said.
Phew, that’s lucky. For a minute I was worried that the public interest in delivering quality education to children might not completely overlap with Rolls-Royce’s interest in stuffing great wads of cash into the pockets of its shareholders. Actually, I had thought that if we were brainstorming for large organizations with scads of money and an interest in public education, we might have thought of, you know, the frickin’ government. I mean, I don’t want to blow their cover, but government does occasionally provide services for the national good. Roads, bombing things, education; there’s a whole package.
What really bothers me here is the persistent idea that you can get money from companies for nothing:
Professor Caldwell doesn’t believe there is danger of too much interference, such as for example fast food companies influencing students’ diets.
Corporations are the most ruthlessly rational economic entities on the planet. They have to be, because if they aren’t, they die. They are subject to intense competitive pressure, and the evolutionary effect is that today’s corporate giants are the sharpest, most efficient wealth-generators in history. Anything they do, it’s because there’s a return.
I’m fine with that. But I’m not letting one loose in a school without asking: What does it get out of this? Or put another way: What are we selling?
Advertising is so pervasive is because everyone thinks it’s money for nothing: you put up some ads, you get paid, what’s the harm? The non-monetary side of the transaction can’t be measured. What’s the undivided attention of a twelve-year old worth? What’s the real cost of making our police dependent on ad revenue? What’s the final invoice on installing corporate patriotism in our kids?
I don’t know. But I bet it ends with smiling French people.
Killer phone
Regular site defacer Shahab writes:
We need Max’s comments about the iPhone launch!
I think if I was writing Jennifer Government today, it would be phones, not sneakers.
Max’s Spectacularly Unhelpful Book Review, or: My 7,000 Pages of Shame
Now what we’re going to do is ignore the whole “What the Fukk is happening
to Max’s new book?” question. Because it’s going to take some time
to resolve, and me posting regular updates on my blog is going to freak
everybody concerned right out, and for my own mental health I should
probably start thinking about something else.
But thanks to everyone who wrote in with kind words. That means a lot. I’m sure this book will be published. It’s a good book. You’ll like it. The question is not if, but when and how.
So instead of alternating between maniacal cackling and weeping into my sleeve, I will write you a book review. This review is not of books I’ve read. That would be Helpful, because I could tell you if they were any good. This is an Unhelpful review, because all I’m going to say is how these books got onto my bedside table, where they have sat, neglected, as centuries turned.
On top is “Maisy Likes Driving” by Lucy Cousins. Fin brought this in one morning and wanted to read it. So I have actually read this one. It’s about 6 pages long and has pictures of Maisy driving things, which she enjoys. I can recommend it if you’re into Maisy and like to know everything that happens in a book from the title and are aged two.
Next is “Unpolished Gem” by Alice Pung. I met Alice at a writers’ festival and everyone said her book was good. Alice herself is so polite and smart and cute that I want to take her aside and say, “Stop that. You’re making the rest of us look bad.”
“American Hoax” by Charles Firth. This I also picked up at the Sydney Writers Festival. Charles and I did a panel together, and afterward he bought my book and asked me to sign it, so I was forced to buy his, even though he was a complete tosspot. I say that because I know that’s the type of humor he’ll appreciate. Actually Charles I liked a lot, even though he’s not as polite and cute as Alice Pung. His book is a satire on… well, America, I guess. I haven’t read it.
“Phineas Poe” by Wil Christopher Baer. I keep seeing Baer’s name pop up in connection with mine on places like Amazon. If that was enough to get me to buy something, I’d own a copy of this, but Baer came recommended, so I bought this collection of three novels. Unfortunately I discovered that it’s so heavy I can’t read it in bed without breaking the bones in my wrist. I got about four pages in and needed a rest. I think I might relocate Phineas to the bathroom.
“The Contortionist’s Handbook” by Craig Clevenger. Actually, I have read this one. That shouldn’t be there. I liked it a lot, although not as much as “Dermaphoria.” This puts me firmly in the minority of Clevenger fans, though, so you shouldn’t trust what I say. See? Still Unhelpful.
“The Art of Funerary Violin” by Rohan Kriwaczek. My Aussie publisher, Scribe, gave this to me, telling me it was hilarious. I thought it was a novel, but on closer inspection it really does appear to be about funerary violins. And I’m really not sure how hilarious that can be.
“The Life of Pi” by Yann Martel. In LAX, about to board my flight to Melbourne after my 2007 American book tour, I had some leftover cash, and bought this because it’s meant to be good. I dunno, though. It looks very literary, and the problem with literary books is that if you don’t like them, you can’t even extract minor enjoyment out of the gratuitous sex and violence. You just have to sit there and wade through mind-numbing wave after wave of symbolism, eloquence, and character development. I hate that.
“Third Class Superhero” by Charles Yu. I think I got asked to give a quote for this. It’s a short story collection. I liked the first story, then got distracted and never finished it. They sent me a second copy, perhaps thinking the first had gotten lost, and this bumped it right up to the top of my pile, but unfortunately just before I left on tour, and returned with Life of Pi.
“Einstein Never Used Flash Cards” by Kathy Hirsh-Pasek and Roberta Michnick Golinkoff. This was very kindly given to me at a 2006 reading I did in Mountain View, CA, in by a guy named Peter, who thought I needed some parenting advice. Now that I think about it, that’s kind of insulting. Anyway, I read a little, but then Jen stole it. I recently got it back, which is why it’s relatively close to the top of the pile.
“Heyday” by Kurt Anderson. The bookstore I read at in Phoenix, AZ, offered me a book for my trouble, and I chose this because I liked “Turn of the Century.” In retrospect, it was clearly the most expensive book in the store. I may not be invited back to Phoenix.
“Persuasion & Healing” by Jerome D. Frank and Julia B. Frank. I read half of this as research for my latest novel. It’s an overview of modern psychotherapy. It’s written by a father and daughter, which must have been interesting. Imagine arguments in that house.
“The Sleepers Almanac 2007.” A short-story collection. Apparently one of my stories will be published in this next year, so the publisher sent me this to help me figure out if that’s a good thing.
“Prodigal” by Marc D. Giller. A sequel to his very good first novel, “Hammerjack,” which arrived just before a particularly busy time and got hammered down in the pile before I could read it.
“The Cubicle Survival Guide” by James F. Thompson. I have no idea where this came from.
“Alien Sex in Silicon Valley” by Dave Alber. The author gave me this at a reading in 2006. I think he was self-publishing. I read the first chapter and quite liked it and then got distracted. This book is now so far down the list I will never reach it. If only I had stayed with it, I might have loved it, given a rave quote for the cover, and helped it become a national bestseller, thus changing Dave’s life forever. Although probably not, since I raved about Paul Neilan’s Apathy and Other Small Victories, and did that become a bestseller? Shockingly, no. That’s out in paperback now, by the way. If you respect me at all, you’ll go buy it.
“Raga Six” by Frank Laura. Frank is my media escort in San Francisco. He gave me this book in 2006 and I hadn’t gotten to it by the time I went back there a year later. I wasn’t sure which was worse: to admit this, or to say nothing and have him think I hated it. I went with saying nothing.
“Pendulum” by Nathan Provence. Pretty sure this is another self-published book given to me by an enterprising author who came up to me at a reading, although I’m not sure which year. By now it has been crushed for so long under the weight of other books that all its pages have fused together.
The one I’m actually reading is “The Brief and Frightening Reign of Phil” by George Saunders. I’d never heard of this book or the author before, but I saw it in a bookstore last week and liked the first page. I started reading it because my wrists were aching from attempting Phineas Poe. That’s my system, you see: last in, first out. It makes no logical sense, but has the advantage of being easy. I use the same system for my email. Anyway, I’m really loving this book so far. It’s fantastic. So if you made it this far, there you go: that’s a little helpful.
By the way, in the course of writing this review, I moved the books to see what was on the bottom, and the pile fell on me. I nearly died.
The Response
I heard back from Bill, my editor, about my new book. It wasn’t good news.
It wasn’t bad news, either. It was kind of inexplicable news. I’m still trying to
digest it.
My fear, of course, has been that Bill would say, “Max, you know this book you’re so excited about… well, it’s not so great.” Every time this has threatened to overwhelm me the last couple of weeks, I shooed it away, because I knew in my heart that surely that could not be true: this was a great book, my best, even.
And it turns out that Bill does think it’s great. So too, apparently, do other people he’s shown it to. I pushed him on this, in case he was doing that thing where you say only nice things to the author because my God they’re temperamental, but no: I really think he considers it quality.
That’s the good news. The bad news is he can’t publish it.
It’s hard for me to explain why. It’s hard for me to understand why. I think it has a little to do with the nature of the story, and a lot to do with the nature of the publishing business. I can’t relate the details here without being immensely unprofessional, even for me, so that will have to do, sorry. But the situation is incredibly bizarre, like something out of one of my books. (One of the published ones, ha ha.)
Bill is a genius editor. When he says there’s a publishing problem, I completely believe him. I know he’s looking out for me and my career. He’s proven his skill and dedication over a couple of books.
There are options. I have to believe I can get this book out there somehow. Surely we’ll figure out something.
Surely.
This is a very weird feeling.