I have this novel, Company, due out in January, and the author in me wants you to read it without knowing a thing about it. Not who the characters are, not the theme, and definitely, definitely not the big plot revelation that comes about a quarter of the way through. The author wants you totally blind, so everything’s a surprise, just as it should be.
The marketer in me, though, wants to tell you everything. Because if you don’t know anything about it, you might not buy it, and then where am I? Selling computer systems for Hewlett-Packard, that’s where. The marketer will spoil the whole plot if that’s what’s necessary to arouse your interest.
This wasn’t such an issue with Jennifer Government, because the biggest plot development happened in the first few pages. But Company starts with a mystery, and you don’t find out what the book is really about until you’re a way in.
I’m resigned to the fact that practically every review of the book will give this away. It would be too hard to describe it otherwise. But here is my dilemma: do I put it on the back of the book?
(Yeah, and you always thought blurbs were written by someone else. In truth the author usually writes it, or at least tweaks it. For example, the current draft of the US hardcover flap copy currently says Company is “bitingly funny.” I didn’t add that bit, but I bet I could delete it. And I’m not going to.)
It’s an odd transition when you go from trying to write the best story you can to trying to sell it. But around this time is when it happens. I think I need to give away my plot twist, although I’ll be as vague as possible. And hope that people who have already decided they’re going to buy it will avert their eyes.
(P.S. No baby yet. But it’s a day-to-day proposition. Maybe next blog!)